CAN Digital Commission No.6 Tobi Poster-Su

Chang and Eng and Me (and Me) is a new digital theatre performance, featuring puppetry and split screen to portray the lives of the famous conjoined twins, Chang and Eng Bunker.


Chang and Eng and Me (and Me)
A short performance for puppets in 3 acts

“There’s an image that I’ve carried around with me for the best part of 30 years. My brother and I read about it when we were kids…”

Tobi has spent most of his life with a weird, romanticised and probably quite orientalist image of the deaths of Chang and Eng Bunker – the original Siamese twins – in the back of his mind. He isn’t sure why. Recently he discovered that like him, they were of mixed Chinese heritage, and perhaps the first such performers to make it big in the West. In doing so they carved out an uneasy space in the rotten heart of the American dream.

Using puppetry, music and striptease, this is a show about diaspora, assimilation, and siblinghood; about what happens when you don’t know how to read yourself, and about reaching across history in search of a reflection.


Listen to the Post-show discussion: Thinking through auto/biography

Chang and Eng and Me (and Me) is part of a project exploring the difficulties and tensions inherent in telling the story of an unknowable Other or Others – in this case Chang and Eng Bunker, who were both marginalised and celebrated for their status as racial and physical ‘freaks’ in 19th-century America. At the same time the show explores Tobi’s experience of assimilation, family and unknowable diasporic memory in contemporary Britain. By thinking through both Chang and Eng’s, and Tobi’s biographies, the piece creates a space to examine contemporary concerns around identity and representation.

In this post-show discussion, Tobi Poster-Su will be joined by Jennifer Tang, Husam Abed and Martin O’Brien, makers and researchers who use auto/biography to create performance exploring questions of identity, to think through the possibilities and ethics of auto/biographical work. This will be followed by a short audience Q&A.

Commissioned by Chinese Arts Now and New Earth Theatre

Created by Tobi Poster-Su
Additional Direction by Tanuja Amarasuriya
Sound and Additional Music by Nicola Chang
Design and Paintings by James Chen-Wishart
Movement Direction by Lizzie Wiggs


Sculpting Eng

Tobi Poster-Su takes us into his home studio and shows how he sculpted Eng Bunker from clay. Part Tony Hart style sculpture demo, part performance-lecture about Eurocentric beauty standards, this is a deeply personal reflection on the racial politics of puppet design.

The last of CAN’s six digital commissions, this work is co-commissioned by New Earth Theatre

Painting: James Chen-Wishart


Tobi Poster-Su

Tobi Poster-Su is a theatre-maker, writer and puppeteer who creates devised, cross-disciplinary work exploring stories from the margins of history. As co-artistic director of Wattle and Daub, Tobi has co-created and performed in The Depraved Appetite of Tarrare the Freak and Triptych. He has also directed puppetry for shows including A Christmas Carol at Bristol Old Vic and Heidi: A Goat’s Tale at the egg. Tobi is currently undertaking an AHRC/LAHP-funded PhD on race, puppetry and politically-engaged performance at Queen Mary University of London.

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